Script for Noir Film Opening.
Film Noir Opening Scene
CUT IN
EXT. SKY – NIGHT
Camera pans down
from sky to reveal building, on this building is a door, camera slowly pans
closer to door, until suddenly man bursts out through it, he is wearing a suit
and holding a brief case. Clearly panicked he looks left and right before
running off.
EXT. FOREST – NIGHT.
Man from before is
still running from something, but he suddenly trips up on a root in the ground.
He tries to get back up but as he’s doing so, he is blinded by a bright light. Clearly
panicking, even more he tries to get back the way we came but is stopped when
he bumps into a mysterious figure in black. The figure aggressively grabs him
and pulls him up.
MAN
No wait! Don’t do it, please! Stop it!
The figure ignores
him and keeps pushing the squirming man towards the light.
MAN
Stop it! Why are you doing this? What did I
do?
The figure continues
to ignore him and continues to push him towards the blinding lamp. The camera
pans to a close up of the briefcase, now dropped on the floor. In the background,
we still see the man struggling, as the light brightens. There is a flash and
we see the shot change to day, still on the briefcase, but this time there is a
man with a camera, taking photo of it, camera pans out to reveal that the
location is now a crime scene.
DETECTIVE 1
I don’t understand. What would a 32-year-old
lawyer be doing in the middle of the woods?
DETECTIVE 2
How the hell should I know?
DETECTIVE 1
Let’s just get this down to evidence. I’m
sure that Jones will want to take a look inside.
DETECTIVE 2
Yeah, he’d be keen to. Let’s see how he’s
doing with the body.
The two detectives
get up and head towards the body of the man. Carefully inspecting it is another
man, Detective David Jones. He is a middle aged man and is adamant about his
completing job, any case he gets into he’ll stop at nothing to solve it even if
that means disobeying orders. The camera follows the two detectives and stops
when it reaches the body and Jones.
DETECTIVE 2
Hey Jones, we got a brief case you might
wanna check out.
Jones stands up into
frame and turns to face his fellow detectives.
JONES
Course, later though, come look at this first.
The two detectives
crouch down either side of him, and proceed to examine the body with him.
JONES
What do see?
DETTECTIVE 1
What do you mean? The body?
JONES
Yes, what’s strange about it?
Detective 1 takes a
closer look and tries to see what Jones is on about.
DETECTIVE 1
Nothing, I can’t see anything.
JONES
Exactly. Nothing. There are no wounds, no
bullet shots, nothing. Doesn’t that seem strange to you?
DETECTIVE 2
Not really, he could have died from a heart
attack or…
JONES
Yeah, but that doesn’t explain what he’s
doing here, In the middle of the woods, three miles from the nearest offices.
DETECTIVE 1
He could have been taken here? Or maybe he
just got drunk and wandered off?
DETECTIVE 2
I don’t think so, it was a work day and he
had some important cases coming up. I think he was trying to get somewhere, or
get away frome something.
JONES
Yeah, and by the looks of things he was in a
rush.
DETECTIVE 1
So he was being pursued?
DETECTIVE 2
I guess so…
JONES
Yes, but by who? We only found one set of
footprints. As far as we know, this man was on his own.
DETECTIVE 1
So you’re telling me that a 32-year-old
barrister ran off in the middle of the night, three miles away from any offices
of his, and just dropped dead in the middle of nowhere, apparently for no reason
at all.
JONES
So it would seem…
The three are suddenly
covered by a shadow and they all look up at the source. The camera cuts to a
shot of high heels and pans up to reveal a mysterious woman. She is in her
mid-twenties and is wearing a suit and has on bright red lipstick. Jones and
the others get up.
DETECTIVE 1
Excuse me ma’am but this is a crime scene
civilians aren’t supposed to…
He is cut off when
she pulls out an identification badge, and shows them that she is from the FBI.
Her badge reads ‘Detective Jessica Moore’
JONES
How can we help you detective Moore?
MOORE
Well I’m here to dismiss you on this case, Mr
Jones. It’s all been sorted we can take it from here.
JONES
You? This is just a local death, nothing
serious enough for the FBI to get involved with.
MOORE
Sorry love, but we have reason to believe
that this man was involved with some highly classified information. We’ll Need
to take the body for an official autopsy.
DETECTIVE 1
Okay, but you’ll need to talk to our chief
first. Although I don’t think he’ll be too happy about this.
MOORE
Don’t worry, something tells me that he’ll be
happy to comply.
JONES
Well, thank you Detective Moore, make sure
you get back to us with the official results.
MOORE
I’m afraid that may be beyond my power at the
moment Mr Jones.
Camera cuts to the
three detectives sitting down on a hill, looking down at what was the crime
scene. Jones has a bottle of water in his hands and has been scratching the
label off, he is clearly annoyed at what has happened.
JONES
I just don’t see why they needed to get
involved. What was so special about this man that the FBI had to take over.
DETECTIVE 2
I don’t know, but what does seem suspicious is
how they were alerted to it, we didn’t contact them.
JONES
Exactly, it almost seems like…
He pauses for a
second and looks down the hill. Suddenly he gets up and slowly walks down the
hill. Once he’s at the bottom, he bends down and picks up a wallet. He opens it
up and looks inside, he pulls out a ripped piece of paper, which reads, DO NOT TRUST! On the back. We see him
turn it over and the camera cuts to a close up of the shock on his face.
JONES
Oh my God…
DETECTIVE 1
What, what is it?
JONES
Come down here and see for yourself.
The other two rush
down the hill to see what Jones has found. When they see they both look at each
other in shock.
DETECTIVE 2
But, that can’t be...
The camera cuts to
the picture that Jones has in his hands,
it is a black and white battered photo of Jessica Moore. The camera
slowly zooms into it as the screen fades to black and the titles appear.
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